登陆注册
723400000029

第29章 写作的乐趣 (1)

The Joys of Writing

温斯顿·丘吉尔 / Winston Churchill

The fortunate people in the world—the only really fortunate people in the world, in my mind, —are those whose work is also their pleasure. The class is not a large one, not nearly so large as it is often represented to be; and authors are perhaps one of the most important elements in its composition. They enjoy in this respect at least a real harmony of life. To my mind, to be able to make your work your pleasure is the one class distinction in the world worth striving for; and I do not wonder that others are inclined to envy those happy human beings who f?ind their livelihood in the gay effusions of their fancy, to whom every hour of labor is an hour of enjoyment to whom repose—however necessary—is a tiresome interlude, and even a holiday is almost deprivation. Whether a man writes well or ill, has much to say or little, if he cares about writing at all, he will appreciate the pleasures of composition. To sit at one table on a sunny morning, with four clear hours of uninterruptible security, plenty of nice white paper, and a Squeezer pen—that is true happiness. The complete absorption of the mind upon an agreeable occupation—what more is there than to desire? What does it matter what happens outside? The House of Commons may do what it like, and so may the House of Lords. The heathen may rage furiously in every part of the globe. The bottom may be knocked clean out of the American market. Consols may fall and suffragettes may rise. Never mind, for four hours, at any rate, we will withdraw ourselves from a common-ill-governed, and disorderly world, and with the key of fancy unlock that cupboard where all the good things of the inf?inite are put away.

And speaking of freedom is not the author free, as few men are free? Is he not secure, as few men are secure? The tools of his industry are so common and so cheap that they have almost ceased to have commercial value. He needs no bulky pile of raw material, no elaborate apparatus, no service of men or animals. He is dependent for his occupation upon no one but himself, and nothing outside him that matters. He is the sovereign of an empire, self-supporting, self-contained. No one can sequestrate his estates. No one can deprive him of his stock in trade; no one can force him to exercise his faculty against his will; no one can prevent him exercising it as he chooses. The pen is the great liberator of men and nations. No chains can bind, no poverty can choke, no tariff can restrict the free play of his mind, and even the “Times Book Club” can only exert a moderately depressing inf?luence upon his rewards. Whether his work is good or bad, so long as he does his best he is happy. I often fortify myself amid the uncertainties and vexations of political life by believing that I possess a line of retreat into a peaceful and fertile country where no rascal can pursue and where one need never be dull or idle or ever wholly without power. It is then, indeed, that I feel devoutly thankful to have been born fond of writing. It is then, indeed, that I feel grateful to all the brave and generous spirits who, in every age and in every land, have fought to establish the now unquestioned freedom of the pen.

And what a noble medium the English language is. It is not possible to write a page without experiencing positive pleasure at the richness and variety, the f?lexibility and the profoundness of our mother-togue. If an English writer cannot say what he has to say in English, and in simple English, depend upon it—it is probably not worth saying. What a pity it is that English is not more generally studied. I am not going to attack classical education. No one who has the slightest pretension to literary tastes can be insensible to the attraction of Greece and Rome. But I confess our present educational system excites in my mind grave misgivings. I cannot believe that a system is good, or even reasonable, which thrusts upon reluctant and uncomprehending multitudes of treasures which can only be appreciated by the privileged and gifted few. To the vast majority of boys who attend our public schools a classical education is from beginning to end one long useless, meaningless rigmarole. If I am told that classes are the best preparation for the study of English, I reply that by far the greater number of students f?inish their education while this preparatory stage is still incomplete and without deriving any of the benef?its which are promised as its result.

同类推荐
  • 英文爱藏:淡定的人生不寂寞

    英文爱藏:淡定的人生不寂寞

    学英语不再枯燥无味——吴文智编著的《淡定的人生不寂寞》内文篇 目均取自国外最经典、最权威、最流行、最动人的篇章,中英双语,适于 诵读,提升阅读能力;学英语不再沉闷辛苦——优美的语言、深厚的情感 、地道的英文,让我们在阅读这些动人的绝美篇章时,不仅能够提升生活 质量,丰富人生内涵,更能够轻松提升英文领悟能力,体味英文之...
  • 娱乐休闲英语口语即学即用

    娱乐休闲英语口语即学即用

    在当今紧张的工作之余,人们总是争取大量的空闲时间来休闲娱乐。在各种娱乐场合,人与人之间容易增进感情,加深关系,促进交往。书中每个单元都设有与内容相关的简单句型结构和短语,并配有多个例句和汉语翻译,便于读者套用和练习。每章开篇都为读者提供了该主题所蕴含的文化背景,方便读者对语言文化的学习。
  • 那些激励我前行的身影(每天读一点英文)

    那些激励我前行的身影(每天读一点英文)

    精选历史名人、商界骄子、演艺明星的演说,让你在诵读名句中,领略成功之道!《每天读一点英文》是一套与美国人同步阅读的中英双语丛书,该丛书由美国英语教师协会推荐
  • 聆听花开的声音

    聆听花开的声音

    阅读《聆听花开的声音》,你可以感受到田野上的清风,可以找到心灵宁静的港湾,可以发现生活中被人们忽略的真理,从而拥有一颗宽广的心,走向成功……感受英语的魅力!体验英语的快乐!当鲜花盛开时,我们会沉醉在花海中,为它们的美丽、娇艳赞叹不已,但你可知道它们的真正动人之处,在于它从含苞待放走向盛开的那一刹那。聆听花开的声音,默默感受鲜花盛开过程中的美丽。
  • 365天日常口语放口袋

    365天日常口语放口袋

    《365天日常口语放口袋》以简单、实用作为选材标准,内容取材十分广泛,均以生活中真实发生的实景为蓝本。以句型为基础,将各个单元主题中常见的句型进行归纳和讲解。
热门推荐
  • 天才少女之香琴传说

    天才少女之香琴传说

    家传上古香琴,引领她穿越千年古城,遭遇重生之苦,遭遇孤儿之运,重新为人的她在这千年古城将掀起怎样的风浪。。。
  • 网游之剑侠世界

    网游之剑侠世界

    他,只是一个普通的玩家。但是他却不小心成了隐藏职业——爆破师!从此,他学会了做各种炸弹,还在机缘巧合下学会了驾御仙剑。后来,他历经了艰辛万苦,带领玩家打败了冥界,击退了魔界,粉碎了妖界的阴谋!创立了当世数一数二的大帮会。但是,他却身陷让人无法想象的险境,几乎让他死无葬身之地。缠绵悱恻的爱情,危险奇异的人生,凄凉悲惨的命运,他又将怎样的在游戏世界里活下去呢?不一样的网游,不一样的剑侠——世界。
  • 成功的西方家教(大全集)

    成功的西方家教(大全集)

    我们将两个世纪以来畅销不衰的世界上最先进、最权威、最受父母推崇的三大教育经典《卡尔?威特的教育》《斯托夫人自然教子书》《蒙台梭利育儿全书》集合成《成功的西方家教大全集》,献给即将成为父母或者已经成为父母的你。这三本教育著作所阐释的教育观念和实践方法得到了世界各国教育家的认可和推崇,其内容涵盖教子的各个方面,详细介绍了教育孩子的精髓和新方法。内容通俗易懂,操作性强,相信能够给所有望子成龙、望女成凤的家长们以实际的帮助。
  • 这不是真的

    这不是真的

    所不同的只是我们谋生的方式和日常状态的差异。就完全和过去不一样了。在别人眼里,夜已经很深了,我还在灯下看着校样。,看待世界的眼光以及对这个社会(包括了许许多多的事)的理解,我已经四十一岁了。是的,我是一位作家。中年作家。是的,作家也许会有点与众不同?不,有些报刊上有时仍然会称我为青年作家。叫青年作家似乎也没人有意见。当然,只要一过了四十。一个男人,事实上我们与别人在本质上根本没有任何的不同。这是我的又一本新书。只是我自己知道,事实上我已经毫无争议地跨入了中年,或者说是壮年?四十岁,是人生的一道坎
  • 山丘上野草的泪水

    山丘上野草的泪水

    这是一部正统的悲剧,换句话说就是主人公在故事结尾以某种方式死去。如书中主人公小刀在实现最后心愿后面带笑容死去,再就像书中的斧头在故事结尾他的精神已死,落得家破人亡的结局。书中的主人公以男性为主,故事讲述他们各自的爱这就是书名中的山丘,他们又都来自社会底层——野草,故事脉络又是正统的悲剧——泪水,人生一条闪着涟漪的哀伤河流,倒映的七彩世界掩饰了琐碎、痛苦和不公。人生一出无法选择角色的舞台剧,自以为是剧中主角,其实只不过是过路人。
  • 无敌大小姐

    无敌大小姐

    当现代阴狠毒辣,手段极多的火家大小姐火无情,穿越到一个好色如命,花痴草包大小姐身上,会发生怎样的化学反应?火无情一醒过来就发现,自己竟然在众目睽睽之下上演脱衣秀。周围还有一群围观者。这一发现,让她极为不爽。刚刚穿好衣服,便看到一个声称是自家老头的老不死气势汹汹的跑来问罪。刚上来,就要打她。这还得了?她火无情从生自死,都是王者。敢动她的人,都在和阎王喝茶。于是,她一怒之下,打了老爹。众人皆道:火家小姐阴狠毒辣,竟然连老爹都不放在眼里。就这样,她的罪名又多了一条。蛇蝎美人。穿越后,火无情的麻烦不断。第一天,打了爹。第二天,毁了姐姐的容。第三天,骂了二娘。第四天,当众轻薄了天下第一公子。第五天,火家贴出招亲启事:但凡愿意娶火家大小姐者,皆可去火府报名。来者不限。不怕死,不想活的,欢迎前来。警示:但凡来此,生死皆与火家无关。若有残病者火家一律不负法律责任。本以为无人敢到,岂料是桃花朵朵。美男个个很妖娆一号美人:火无炎。火家大少爷。为人不清楚,手段不清楚。容貌不清楚。唯一清楚的是,他有钱。有多多的钱。火无情语录:钱是好东西。娶了。(此美男,由美瞳掩饰不了你眼神的空洞领养。)火老爷一气之下,昏了过去。家门不幸,家门不幸啊。二号美人:竹清月。江湖人称天上神仙,地上无月。大国师一枚。美得惊天动地。火无情语录:美人好,尤其是自带嫁妆又会预测未来的美人,娶了。(此美男,由东de琳琳领养)三号美人:轩辕子玉。当朝七皇子,游历四国。一张可爱无敌的脸。单纯至极。火无情语录:可爱的孩子好,可爱又乖巧的孩子更好。可爱乖巧又不用给钱的孩子,娶了。(此美男,由刘千绮领养)皇帝听闻,两眼一抹黑。他的儿啊。怎么就这么不争气呢。四号美人:天下第一美男。性格不详,籍贯不详。火无情语录:谜一样的美人,她喜欢。每天都有新鲜感。娶了。(此美男,由告别的爱情li领养。)五号美人:天下第一名伶。火无情语录:解风情的美男,如果没钱花把他卖了都不用调教。娶了。(此美男由伊眸领养。)六号美男:解忧楼楼主。相貌不详,身世不详。爱好杀人。火无情语录:凶恶的美人,她喜欢。娶了。(此美男由陈铭铭领养)七号美男:琴圣。貌如谪仙,琴音杀人。冷清眸子中,百转千回,说尽风流。(此美男由伊眸领养)夜杀:天下第一杀手。(此美男由静寂之夜领养)
  • 仟余集:郁达夫作品精选

    仟余集:郁达夫作品精选

    本书是感悟文学大师经典,本套丛书选文广泛、丰富,且把阅读文学与掌握知识结合起来,既能增进广大读者阅读经典文学的乐趣,又能使我们体悟人生的智慧和生活哲理。本套图书格调高雅,知识丰富,具有极强的可读性、权威性和系统性,非常适合广大读者阅读和收藏,也非常适合各级图书馆装备陈列。
  • 东宫有本难念的经

    东宫有本难念的经

    宝庆十九年春,大佑国皇太子大婚,大将军之女入主东宫。一个不是淑女的将门千金遭遇一个不是文韬武略的中庸太子,到底是佳偶天成,还是冤家路窄?成婚一年不足,太子忽然休妻。迷影重重,生死茫茫,这样一来,还是不是大团圆结局?
  • 能力培养指导(学生素质规范教育)

    能力培养指导(学生素质规范教育)

    常说,人要有能力,并且能力要越强越好。那么能力需要怎样培养呢?快来看看《能力培养指导》。本书搜集了大量有关于能力培养的散文,其中包含了很多生活鲜活的故事和实例,富含哲理又发人深省。包括《对朋友要豁达大度》、《乐观能驱走黑暗和困难》、《从孤独中寻找力量》等。
  • 姐儿门前一棵槐

    姐儿门前一棵槐

    这是一部战争情感小说,是一个将军惊心动魄的情爱史,是一个女人感天动地的美德书。在战争中荣升为将军的人,背后都站着一个伟大的女性!她们是中国革命最高贵的牺牲。本书温婉细腻地讲述了将军(牛儿)和妻子郑秀云与前妻凤儿之间的恩爱情仇,在苦难和尊严的人性挣扎中,一番儿女情长,几多尘缘未了,母性的自尊和宽容之美,读来催人泪下,扼腕叹息,如一幅优美的风俗画。