登陆注册
1122800000047

第47章 中国古代建筑AncientChineseArchitecture(1)

中国古代建筑Ancient Chinese Architecture

在中国大地上有许多造型优美、色彩绚丽的古代建筑,这些建筑在世界建筑史上占有重要地位。本篇介绍独特的木结构、庭院式建筑的平面布局、各种屋顶样式及其丰富的色彩。

1.中国古建筑有什么基本特征?

What is the basic feature of ancient Chinese architecture?

Visitors who come to China for the first time may be struck by some traditional Chinese buildings with their curved roofs, bold colors and intricate outlines. They may wonder how the Chinese ever came up with this unique architectural style. In order to appreciate ancient buildings in China, visitors should know the prominent feature of such buildings as follows:

a. Most buildings are made of wood. A timber framework is a basic feature of ancient Chinese architecture.

b. Courtyard composition and layout is another feature. A courtyard is a space enclosed by walls, or a yard surrounded by buildings.

c. Varied roof patterns have been added to enhance the beauty of these ancient buildings.

d. Paint is much used as an architectural ornament.

e. Ancient Chinese buildings keep in harmony with their natural surroundings.

Notes:1)architectural建筑学的;2)architecture建筑学;3)intricate错综复杂的;4)outline外形;5)prominent显著的;6)framework构架;7)enclose围住;8)surround围绕;9)surroundings环境

2.中国古建筑木结构的特点是什么?

What are the features of the timber framework in ancient Chinese architecture?

Ancient Chinese buildings use timber extensively as a building material in addition to bricks and tiles. Chinese wood represents“life.”Moreover, timber was easily available, transportable and practical at that time. The timber framework consists mainly of wooden vertical pillars and crossbeams. They are perfectly interlocked with brackets so that the whole weight of a house is transferred to its foundations through the pillars, beams, lintels and joists. Walls bear no load; they only separate space. The timber framework supports most of the weight of the house. There is an old saying that,“A house still stand even if its walls collapse (墙倒屋不塌).”

Two things are worth attention when you view ancient buildings. One is the wooden tenon (榫), and the end of a piece of wood perfectly shaped to fit into a corresponding wooden mortise (卯) in another piece of wood. This technique was invented 7,000 years ago. The other is the system of support brackets, called dougong (斗拱). These are wooden brackets on the top of a column to support the crossbeam; they rise up level by level from each pillar. These brackets both support the structure and are also a distinctive and attractive ornamentation. This invention came into being about 2,000 years ago, during the Warring States Period.

Notes:1)extensively广大地;2)tile瓦;3)transportable可运输的;4)practical实际的;5)crossbeam横梁;6)interlock使连锁;7)bracket托架;8)lintel楣石;9)joist托梁;10)tenon榫;11)corresponding相应的;12)mortise卯;13)column圆柱;14)crossbeam横梁

3.古建筑的色彩有什么特点?

What are the color features of the ancient Chinese architecture?

Paint is much used on buildings. Initially paint was used on wood to prevent damage from moisture, but gradually paint became an architectural ornament. Ancient palaces and temples tend to have brilliant colors like glazed yellow tiles, red walls and white balustrades. The shining colors make these buildings look grand and impressive. However, colors applied on garden-like buildings or commonplace houses tend to be quietly elegant. These colors give people a nice, cool sense.

The painting on ancient buildings functions as an ornament. In the Qing Dynasty, it commonly fell into three categories as follows:

a. Hexiwucaihua (合细五彩画, Hexi Five-color Decoration): This painting style is applied only to the key buildings in imperial palaces and altars. Usually, a dragon or phoenix is painted on green background, and paint lines are gilded with gold powder or gold foil.

b. Xuanzicaihua (旋子彩画, Circular Color Decoration): This style is extensively applied to government buildings, key buildings in temples, and the attached buildings of imperial palaces and altars. An artist tends to use bright designs and auspicious flowers. In addition, he outlines the designs in ink color and adds some running dragons and strokes. He then draws a pattern in the shape of the Chinese word gui (圭) on the either side of the design center. Inside the“gui”pattern are many other brightly colored designs developed from peony flowers.

c. Suzhou decoration: This painting style originated in Suzhou; later it has developed into two schools: the southern

and the northern. Southern suzhou decoration focuses on bright designs, and the northern on landscape, figures, flowers, pavilions, etc.

Notes:1)balustrade栏杆;2)impressively给人以深刻印象地;3)imperial皇帝(或女皇)的;4)gild把……镀金;5)foil金属薄片;6)additional额外的

4.佛教寺庙内主要有什么建筑?

What are the main buildings in a Buddhist monastery?

Chinese Buddhist architecture consists of temple, pagoda and grotto. It started during the Han Dynasty as Buddhism entered China. In ancient times, many Chinese emperors of different dynasties believed in Buddhism, so Buddhist monasteries or temples were constructed across the country. In the Northern Wei Dynasty, monasteries or temples accounted to more than 30,000 in number. Later, glazed tiles, exquisite engravings and delicate paintings were all used in Buddhist monastery construction. These monasteries and temples were fashioned after the imperial palaces and bore very little resemblance to temples in India or other Buddhist countries.

Chinese monastic buildings usually follow a north-south axis (中轴线). Generally each monastery or temple has three groups of buildings, separated by courtyards or walls. Each group has a main building, which stands on this axis, facing south. The names of the main buildings include the Temple Gate (山门), the Heavenly King Hall (天王殿), the Great Buddha Hall (大雄宝殿) and the Buddhist Scripture Library (藏经楼). Additional buildings are set up on either side of the axis. Living quarters, kitchens, dinning halls and storehouses are usually located on the right side of the main buildings, but buildings on the left side are for visitors.

Notes:1)construct建造;2)account(在数量等上)占;3)ex-quisite精致的;4)resemblance相貌相似;5)heavenly天国的;6)storehouse仓库

5.道教寺庙的特点是什么?

同类推荐
  • 奇山秀水张家界

    奇山秀水张家界

    本书内容丰富,照片精美,归来不用再看山”。实用性强,张家界号称有“三千奇峰,八百秀水”,人称“名动全球,到此实堪三击掌,热拔五岳,是自助旅游的好向导。,是国内外知名的旅游胜地。其自然风光具有雄、奇、险、秀、幽等五大特色,其中黄石寨、金鞭溪被推介为国际黄金旅游线。本书重点介绍了张家界国家森林公园、索溪峪国家自然保护区、天子山自然保护区、武陵新秀杨家界、百里画廊茅岩河等风景名胜区,26条游览线,总计240多个自然风光景区和人文景点,并为旅游者提供旅程设计、旅游交通、旅游食宿娱乐和旅游购物等实用资讯
  • 间隔年,一个女孩在游行

    间隔年,一个女孩在游行

    她,蔡璐璐,一个80后单身女孩,经历了一段奇幻又刺激的间隔年之旅:在路上,她经历了单身女孩旅行可能遇到的各种惊奇、刺激和彪悍的事:她想要的,是如何在庸常不变的朝九晚五中寻找到人生的乐趣与价值,如何不在房子、车子、信用卡三座大山重压之下日渐麻木,将年少时的所有梦想抛诸脑后。也许答案就在路上。每个人只能年轻一次,即使不能像光鲜的影视剧中那般轰轰烈烈,至少要给自己一次机会,试着推开那扇通往世界的大门,哪怕只从门缝中瞭望一眼也好。
  • 餐饮企业规范化管理全书

    餐饮企业规范化管理全书

    本书以管理理论为引入点,重点以管理制度、工作规范、防伪职责和表格等实用工具的形式,全面而具体地介绍了餐饮企业规范化管理要点。全书分为餐饮概论、包括前期经营规划、厨房管理、服务现场管理、原料采购管理、菜单设计管理、营销管理、质量控制管理、成本控制管理等几大板块,全方位展示了餐饮企业实施规范化管理的各个方面与细节。
  • 马可·波罗游记

    马可·波罗游记

    欲知世界各地之真相,可取此书读之。马可·波罗,世界著名的旅行家、商人。1254年生于意大利威尼斯一个商旅世家。17岁时,马可·波罗跟随父亲尼古刺·波罗和叔叔玛窦·波罗,途经中东,历时蹬年多来到中国,在中国游历了17年。回国后著成《马可·波罗游记》一书,记述他在东方最富有的国家——中国。
  • 随喜菩提

    随喜菩提

    “菩提十书”之《随喜菩提》:由生命的苦恼走入佛门是很好的,但闻法欢喜走入佛门,不是更好吗?在痛苦中求悟是很好的,但以喜悦的心求悟不是更好吗?以厌离世间的心走向净土是很好的,但以欢喜净土的心走向极乐世界不是更好吗?本书是“菩提系列”第九部,让我们体验生命的滋润,从“相逢一笑”走向“喜无量心”的世界,欢喜无量地活在人间,走向净土。
热门推荐
  • 武乡,敌后文化的中心

    武乡,敌后文化的中心

    抗日战争中,八路军与武乡民众一道,在武乡这片土地上,团结合作、共同抗敌,先后与敌人进行了大小战斗6368次,歼敌28830人,取得了辉煌的战绩,可以说武乡的山山岭岭上都有过激烈的战斗,沟沟洼洼里都有着烈士的忠骨。《武乡敌后文化的中心》主要收集整理了发生在我县境内一些重大战役战斗,以展示武乡人民在战火纷飞的岁月里,与八路军并肩作战,用小米加步枪打出红色江山的光荣历史。
  • 红军留下的女人们

    红军留下的女人们

    这是一部纪实文学。作者从历史的角度,把握住特定历史人物的个性,描写了14组红军女战士的光辉形象。这些女人,在红军主力长征后,留在了白区,承担着献身革命与护卫家庭的双重重担。作者从这些红军留下的女人身上,挖掘她们的伟岸人格,圣洁的品格,不屈的个性……
  • 花花酷男有点狂

    花花酷男有点狂

    郭薇妮,豪门的千金,上帝的宠儿。这天,一向循规蹈矩的微妮瞒着家里和同是富家小姐的林枚决定出去Happy一下。“枚姐,我们这是要去那呢?”微妮眨着她的大眼睛,扑哧扑哧的问道。“拜托,微妮,你怎么说也是豪门千金啊,不要这么村好不好。”林枚一副我被你打败的表情,说话的语气也很是无奈。“枚姐,你也知道我爸爸他平时管我管的很严,好不容易他出差去了,我才有空出来玩的。”微妮一说起这个她就郁闷,人家女孩……
  • 再回首:中国共产党历史新探

    再回首:中国共产党历史新探

    本书是一部中共党史的通俗类读物,是中央党校党史教研室教授们的最新力作。本书稿共11篇文章,按时间顺序选取了自建党以来中共历史上的重点难点问题,实事求是地还原了历史事件的真实面貌,使读者加深了对党史的了解和认识。
  • 民国有个绍兴帮

    民国有个绍兴帮

    民国时期的浙江绍兴,思想激越,人才辈出。蔡元培、许寿裳、周氏兄弟、孙氏兄弟、经亨颐、夏丏尊,这就是出自绍兴的思想家、文学家和教育家。秋瑾、徐锡麟、陶成章、王金发,这些又都是辛亥英烈。俞秀松、宣中华、叶天底、梁柏台,又都是献身革命的红色战士。再加上沈定一、刘大白、邵力子等在各个政治舞台上的活跃分子。这些先进的知识分子为我们勾勒出了一幅波澜壮阔的民国画卷,更具体地说,就是民国有个绍兴帮。
  • 修仙记:金童玉女传说

    修仙记:金童玉女传说

    白沫羽,成紫澜原本也是凡间的一对善男信女,可是在经历了凡间的世俗,魔界的阴谋,仙界的鼎力相助以后到底是怎样成为救苦救难大慈大悲的观世音身旁的金童玉女的呢?<br/>到底这是一场人界魔界仙界怎样的爱恨情仇呢?任沫离发挥想象展开一场美丽悲伤的神话传说!&nbsp;&nbsp;&nbsp;&nbsp;
  • 我是你的克星

    我是你的克星

    “听我说!从你进公司就注意到了你,把你带到身边做事也是因为不想你离我太远。你可以把我的表白当作一个项目预案,好好考虑!过几天答复我也行的,但是不要让我等太久!”
  • 王家岭的诉说

    王家岭的诉说

    “这是一起造成38人死亡、115人受伤的极其严重的责任事故”。这是一部直赴灾难现场,用事实的真实追踪描述还原灾难的内情文学报告,是超越了新闻报道的直观表层描述之后的事实和理性思考与追问。《王家岭的诉说》是一部典型的灾难文学作品。赵瑜率队,五作家察访祸灾真相;矿工诉说,众难友揭秘国字煤田。深度解答网民疑团,王家岭上生死实录;严格拷问矿主良知,黄河赤子气贯全书。
  • 杀手冷妃别嚣张

    杀手冷妃别嚣张

    南宫若雪,南宫家二小姐,花痴成性,以不择手段勾引自己的相公和跟他的侍妾争宠闻名天下。林宣儿,现代杀手,却因缘际会和南宫若雪来了个灵魂大碰撞。花痴的命运,即将重新洗牌片段一:“醒了?多久?”淡漠的嗓音带着一丝不耐。“春儿说,已经醒了三天,只是不让人告诉王爷,说是怕王爷担心!”婢女不屑的开口。担心?东方轩臣听了差点闪了腰,开玩笑,那个女人最不怕的就是他的担心吧?片段二:“南宫若雪!”一声暴吼回荡在整个寿宴现场!南宫若雪眼里一丝暗喜滑过,却转眼立刻跪倒在地:“轩王爷!我错了!以后我再也不敢针对希钗妹妹了!再也不敢说她半句不是了!你要带她来我也不敢说什么了!王爷,您就原谅我吧!”低下头佯装用袖子擦泪,其实趁机闻了闻袖子里藏着的洋葱,眼泪瞬间喷出:“王爷。。。。。。我再也不敢了。。。。。。”片段三:东西南北四门中连东门子弟都没有几人能够见到钧漠,她南宫若雪还在损他?胆子也忒大了!“师父。”钧漠眼带笑意。“那小丫头片子不错,我喜欢。”一位老者眯眼暗自打算,若是不收了做徒弟,岂不可惜?本文纯属虚构、禁止模仿。啦啦啦,开新文啦,请大家支持,收藏啦下面推荐好友文文女人,宠你上瘾作者:能让你流泪的终不是我陆玥狠狠地甩了邵凯斌一耳光,邵凯斌为保存面子向陆玥囔道:“有本事,你再甩我一耳光。”陆玥毫不犹豫地再次甩其一耳光。邵凯斌顿了顿,说:“既然你那么听我话,那我就饶了你。”《师兄,你别跑!》落雪人家俗话说的好哇!爱国爱家爱师妹!防贼防盗防师兄!不过俗话毕竟是俗话,现实是这样的:师兄,一秒过了,你更帅了!师兄,你连打哈欠的样子都这么优雅!师兄,你的眼神是在诉说对我的爱意吗?师兄,呜呜呜,你就从了师妹吧!
  • 名门嫡妃

    名门嫡妃

    “宁纳青楼妾,不娶跛足妃!”现代医学博士穿越异世,醒来便面对东晟国五皇子毫不留情的退婚,一夕间,她沦为天下笑柄,更成为府里人人能打骂的出气筒!笑话——这天下间谁敢取笑她!痴傻?跛足?貎丑?那又如何!那是过去的东方语,不是现在的她!凤凰浴火,涅槃重生,昔日痴儿惊艳变身!一声嗤笑,纤手一挥,“宁嫁乞儿郎,不入殿下房!”下毒?设局?陷害?暗杀?让她变疯子?谁想让她变疯子,她让谁全家变成疯子!下毒害她?谁下的毒,她让谁把毒药吞下去!放火烧她?她变身归来,让人生不如死!抢她男人?抢得走的男人不要也罢,但……她不要别人也休想得到!收拾完豺狼虎豹,自然该操心婚姻大事了;回头草?她抬脚,狠狠踩下去!皇子?哪凉快哪待去!太子?了不起?靠边站吧!她的男人自己挑,论不到别人指手画脚。片段一:她剔着指甲,漫不经心道:“我对未来相公的要求不高,只要是个三从四得的男人就行。”他勾起邪魅笑容,欢喜满怀,问:“哪三从?”她抬头望天,半晌,懒懒答:“我说的话要听从;我提意见要顺从;我的命令要服从!”他嘴角狠狠一抽,笑容僵化:“那四得呢?”她笑意晏晏,眸光流丽:“我的心思,要懂得;我发脾气,要忍得;我花他钱,要舍得;我人老珠黄,要耐得!”他沉默良久,一字一顿道:“还有一得;你一天不点头嫁给我,无论一月一年还是一辈子,我都等得!”片段二:他皱眉,轻轻敲着桌子:“太子子嗣单薄,恐有被废嫡之危!”她凑近他面前,笑嘻嘻道:“子嗣单薄?说明太子的种子有问题!”他咬牙,无奈低吼:“东方语,你用词能不能别那么粗俗?”她挑眉,振振有词:“粗俗!我说种子怎么了?它色情吗?它下流吗?人人听得懂听得明白,那叫通俗,通俗懂不懂?切!思想龌龊的男人!”他语塞,脸色直接黑如锅底!